STS scholars move beyond traditional scholarly formats in multiple ways, sometimes attempting to int
A few examples of this from the U.S. context are the 2006 WATER WORKS Exhibition curated by Patricia Watts and Amy Lipton from ECOARTSPACE in California http://www.ecoartspace.org/. The show gathered together artists who work collaboratively with scientists, environmentalists, conservationists and government agencies to create studio works such as photography, multi-media collage, and sculpture, that can be presented and sold in galleries. A similar format has been pursued by the recent “Feedback” show at the Eyebeam experimental arts and technology lab in New York http://eyebeam.org/. The piece “Drink Pee, Drink Pee” by Britta Riley and Rebecca Bray, maps the path of urine through the water cycle, starting with a toilet and ending with a water fountain, much like a 3-d diagram of the paradox of waste disposal. The EXITART gallery space, also in New York, has recently developed new program in (social environmental aesthetics) that is devoted solely to addressing issues of the environment by assembling artists, activists, scientists and scholars to address environmental issues through presentations of visual art. They also have panels and a lecture series that will communicate international activities concerning environmental and social activism. , performances http://www.exitart.org/site/pub/main/index.html.
When looking at these programs and the works that they curate, what one notices is an incidental absence of voice on the part of critical social science scholars. Hydrous is an attempt to point to a potential space in a field of bourgeoning practices, where science and technology studies and arts communities might work together to address contemporary social relations of water governance. Let me be more specific about this potential space. What we find thriving in the emergent curatorial practices I just mentioned, are potent practices at the intersection of science, technology development and the arts. I believe that that intersection could look very different with the inclusion of STS scholarship, precisely insofar as STS scholarship takes the practices of science and technology development as objects of inquiry that are delicately woven with what would otherwise be considered exogenous matters of concern, such as the dynamics of markets, policy discourses, and legislative conventions. In other words, the STS of environmental practices is not equal to environmental science and technology, because it entails a deliberate and critical preoccupation with the economic, political, and communicative dimensions of science and technology.
The social relations of water today hi-light the urgency of these STS preoccupations, insofar as their dynamics entail not only scientific and technical content but also crucially the interpenetration of markets, the cultural movements that sustain them, and the political struggles that animate them. I believe that to elucidate these interpenetrations is a marker of STS scholarship which differentiates it from operational scientific and technological, and even artistic know- how. Hydrous asks “how might the preoccupations of STS scholarly practice bring to fruition its collaborative relations with environmental arts?” Our program at Hydrous '08, I hope, can be considered a first baby step in posing that question in ways that will be meaningful to many. Think of it as a moment of opening, finding spaces of contact to become strange and more multiply involved.
In our FIRST PANEL we listened to three scholars whose work on water governance provides multiple angels from which to think through STS preoccupations with water governance. Beginning our first panel was Wiebe Bijker, a person who has lived a deep and textured history, both personal and professional, in the field of water governance. He is professor
of Technology & Society at the University of Maastricht and a former president of the society for social studies of science. Political and normative issues have been central in his research. His most recent work relates to issues of vulnerability in technological cultures.
We also heard presentations of current research from two young STS scholars whose work is international in scope.
Andrea Ballestero has degrees in Law from Universidad Autónoma de Centro América in Costa Rica, a Masters in Environmental Law from Universidad para la Cooperación Internacional in Costa Rica, a Masters in Environmental Policy from the University of Michigan, and three years of course work in cultural anthropology at the University of California-Irvine. She works on Latin American environmental policies, international environmental law, micro-economics as applied to natural resources, principles of hydrology, the anthropology of neo-liberalism.
We also had with us Saravanan V. Subramanian - he is a Senior Researcher
ban drinking water and international river basins. He also conducts analyses of institutions, integrated water management, and complex adaptive social systems.
Our second panel at Hydrous ‘08 featured folks who are working largely with moving images and sound. This emphasis reflects a haunch that existing collaborative relations between the social sciences and the filmic arts might offer up an intriguing space for the development of new expository and expressive practices. Cinematic social science has a powerful history, in part because of the expository capacities of film. Yet it is also a problematic history – both politically and aesthetically - which makes it a fruitful ground worthy of new experiments. We wanted to go head-first into that ground as a first moment in what I hope will become a more variegated trajectory of collaboration between STS and the arts.
Our second panel included presentations by four folks whose work looks at water governance through cinematic media. Starting us off was Paige Miller, a PhD student in the Department of Sociology at Louisiana State University. As a research collaborator with the World Science Project she is working with a group of researchers in Louisiana, India, and Africa to understand
the impact of technology on global development, specifically gender differences in the scientific careers of researchers in Kerala, India. Paige has also worked with the Army Corps of Engineers Performance Evaluation Task Force (IPET), following Hurricane Katrina, and is currently serving as an ethnographer assisting in efforts to estimate the rate of return of residents to the city of New Orleans.
Following Paige was Joshka Wessels, the director of Sapiens Productions and an applied anthropologist. She has written a phd thesis entitled "Traditional Water Management in Syria; the potential for renovating qanats". In addition, she has also directed/produced two television documentaries; "Marooned" and "Tunnel Vision". She also directs/produces a community video program on Child-Centre Approaches to HIV/AIDS (CCATH) in Uganda and Kenya for Health Link Worldwide. Joshka's
I also screened clips from my new documentary about dialectical dynamics that emerge within the globalization of concern for water resources problems and the logic of anthropological reasoning as a means to understand it – entitled “In the Web and On the Ground”.
We ended the session with a contribution by Alice Agnus, who is an artist inspire by rethinking concepts
Last but certainly not least, Paul Wouters, the Director of the Virtual Knowledge Studios in Amsterdam and Rotterdam, did us the great service of synthesizing insights from the two panels over the course of the evening. One of his many important insights was that the efforts
of social studies of science to experiment with new forms of documentation and expression are importantly about pressing needs to create alternative modes of experience and expression on the part of social researchers in their engagements with the worlds that they study.
Hydrous '08 was a fantastic event in my view, and was attended by about 80 folks. I want to extend thanks to our caterer Monique Bruin, to Dj Morsanek our event composer, the V2 Production Crew - Anne Nigten, Michel van Dartel, Joris va Ballegooijen, Wilco Tuinman, Richard Bierhuizen, and Minolt. A heartfelt thanks also to Meredith and Randy Anderson, really good spuds who help out in myriad ways and make all events a delight.
My hope is that everyone met at least one new interesting person with whom to continue conversation and pursue collaborative work, Sisse Finken from the University of Oslo and I have got got our eyes on Hydrous '10 in Japan - so do stay tuned....
hejhej!
